Preface . . . . . 7
VÁCLAV KYLLAR, Approaching the Other in Shakespeare’s Merchant of Venice . . . . . 13
ELAHE MOUSAVIAN, Shylock, the Undoubtable Other . . . . . 5
FEDERICA BONORA, Shakespeare’s Art as a Vehicle for Mediation on the Global Refugee Crisis . . . . . 37
NATALYA STOCKS, Shakespeare, Censorship and South Africa . . . . . 71
Preface . . . . . 7
VÁCLAV KYLLAR, Approaching the Other in Shakespeare’s Merchant of Venice . . . . . 13
ELAHE MOUSAVIAN, Shylock, the Undoubtable Other . . . . . 5
FEDERICA BONORA, Shakespeare’s Art as a Vehicle for Mediation on the Global Refugee Crisis . . . . . 37
NATALYA STOCKS, Shakespeare, Censorship and South Africa . . . . . 71
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