The book Dramaturgy of a Fragment is a collection of scientific articles devoted to models of building tensions and situations in unfinished, intentionally left in fragments, constantly processed or used as sources of one's own work, literary texts with the genre features of drama or in lyrical and epic statements having features of dialogue.  

The contemporary form of drama very often uses what are described as postmodern techniques of building the plot and its tension, and uses the principles of artistic techniques (collage, bricolage, montage) in an appropriate translation in Polish and not always accurate (gluing, repairing previously written text, combining into one whole).  

You can also add other techniques whose source is sound or musical composition, such as the currently widespread term sampling (using parts of previously written text for a newly created piece), recycling - when the author reaches for his own old notes and rejected texts, extracting these text fragments from them , which will be in the area of creative work undertaken and the so-called re-writing "rewriting" drama, performance, film, cultural texts, which has become today a manner of literary work of people professionally involved in dramaturgy.